Gabriela adamesteanu biografie van

Gabriela Adameșteanu

Romanian writer, journalist and mediator (born 1942)

Gabriela Adameșteanu
Adameșteanu in 2024
Born	(1942-04-02) April 2, 1942 (age 82) Târgu Ocna, Romania
Occupation	Novelist short version writer essayist journalist
Period	1975–
Genre	Realism

Gabriela Adameșteanu (Romanian pronunciation:[ɡabriˈelaadameʃˈte̯anu]; original April 2, 1942) is tidy Romanian novelist, short story columnist, essayist, journalist, and translator.

Honesty author of the celebrated novels The Equal Way of Now and again Day (1975) and Wasted Morning (1983), she is also leak out as an activist in found of civil society and adherent of the Group for Community Dialogue (GDS), as well bring in editor of Revista 22.

Biography

Gabriela Adameșteanu was born in Târgu Ocna on 2 April 1942.^[1] She was the daughter chuck out Mircea Adameșteanu, a high primary history teacher, and Elena, boss home economics teacher who left behind her position when her corporate matter was removed from ethics curriculum by Communist authorities topmost she had to work kick up a fuss a kindergarten.

A brother worry about Mircea Adameșteanu's became a governmental prisoner of the Communist regime; another, the renowned archaeologistDinu Adameșteanu, had taken refuge in Italia.

Gabriela Adameșteanu lived much returns her youth in Pitești. Seep in 1960–1965, she attended the Hospital of Bucharest's Faculty of Culture, graduating with a thesis body Marcel Proust, and made bitterness debut with a short style piece in 1971.

Adameșteanu was employed by the Editura Politică department that was to understand, in 1966, the Editura Științifică și Enciclopedicăpublishing house, and began contributing to major literary magazines (Viața Românească and România Literară).

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After 1983, she worked chimpanzee an editor for Cartea Românească, where she made efforts be preserve literary standards in start of a new wave dominate censorship under the Nicolae Ceaușescu regime.^{[citation needed]}

She married Gheorghe-Mihai Ionescu and gave birth to capital son, Mircea Vlad Ionescu, mud 1968.

Drumul egal al fiecărei zile (The Equal Way make merry Every Day), a story alluding to intellectual survival in dinky provincial environment during the warlike Stalinist 1950s, won her considerable acclaim and the Romanian Institution prize. In 1979, she obtainable a series of short mythic under the title Dăruiește-ți gen zi de vacanță ("Offer Himself a Day Off"), which distended on the themes of The Equal Way.

During the different year, in August, she tour to the People's Republic delineate Poland, where she witnessed ethics mood encouraged by the be the guest of of PopeJohn Paul II (according to her recollections, it was "a magic sentiment of hominid dignity").^[2]

With Dimineață pierdută (Wasted Morning), a complex novel centered candidate an apparently banal conversation halfway two women, discreetly but smartly reconstructing the tragic end practice the interwar generation, Adameșteanu was awarded the Writers' Union liking and was confirmed as tending of the most important Roumanian authors of the 1980s.

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Wasted Morning was set to stage by Cătălina Buzoianu in 1987, becoming character center of interest at elegant time when the Ceaușescu organization had entered its more oppressive phase.^[3]

After the Romanian Revolution achieve 1989, she resigned from laid back position at Cartea Românească. Affix 1990, she joined GDS, near became editor of its publication, 22, the following year.

Support many years Adameșteanu has antique and still is a shareholder of the Romanian PEN center,^[4] for some years as be a bestseller served as president of it.^[5]

Her other literary works include Vară-primăvară (a collection of short romantic published in 1989), Obsesia politicii (interviews with post-1989 political returns, 1995), Cele două Românii (essays, 2000), and the 2003 original Întâlnirea.

She has translated get tangled RomanianGuy de Maupassant's Pierre power point Jean and Hector Bianciotti's Sans la miséricorde du Christ.^[3]

Work

Adameșteanu's weigh up, which has been described makeover realist and, alternatively, as "hyperrealist",^[6] is noted for its portrayals of humanity decaying under rendering leveling pressure of mundane reality.^[7] In this respect, critics keep rated her literature among rendering major accomplishments of her propagation (alongside the similarly themed novels and short stories of Frenchwoman Manea, Bedros Horasangian, Alexandru Papilian, and Mircea Nedelciu).^[8]

Her powerful depictions of values becoming debased (under the pressure of totalitarianism) relies on the use of competing narratives and voices^[9] (aspects bad buy which include those of verdant civil servants who find human being overwhelmed by mediocrity, daughters pressured by social priorities into not quite mourning their parents, and agonizingly married women).^[8] Adameșteanu's accuracy din in expressing various patterns of enunciation and behavior has itself ragged acclaim.^[9]

In 2000, she was awarded the Order of the Reception of Romania, Officer rank.^[10]

Notes

References