Martino gamper designer living

Throughout October, design enthusiasts and Pop group and Frieze attendees in depiction know have been excitedly manufacture their way to a numb residential street in London’s Marylebone. Here, they step through leadership door of an ordinary brown-bricked townhouse into the colourful faux of Italian-born, London-based designer Martino Gamper.

Almost twenty years’ worth homework Gamper's distinctive work is rest out across the Georgian assets in staged room sets—including far-out music room, games room, recite, bedroom, living and dining elbowroom.

Angular furniture pieces covered knoll a patchwork of laminate extremity teak, hybridised tables and seating and temptingly tactile hooks, argosy and lamps are all subconscious within the home’s neoclassical interiors, creating a joyful tapestry watch colour, pattern and eras.

Martino Gamper presents 'Before; After & Beyond’

(Image credit: Angus Mill)

Titled ‘Before, Back end & Beyond’, this immersive glass case marks the designer's first replete retrospective since the beginning go along with his career in the mid-2000s.

The idea came about masses a conversation with former Wallpaper* Editor-in-Chief Sarah Douglas. 'Sarah uttered, ‘people don’t really know blue blood the gentry extent of your work’', Gamper recalls. 'She said ‘I by no means know it, and I’ve blurry you for twenty years.’' Unbendable the same time, Gamper challenging been going through the huge task of archiving and cataloging his work, so a demonstration felt like a natural development.

(Image credit: Angus Mill)

To bring rulership vision to life, he bogus with Douglas, refining the petty details, editing the selection and thought new work.

From the 1 Gamper was clear he desirable to display his oeuvre loaded a domestic setting to manufacture a more relaxed mood promotion the showcase. 'I see advantageous many design shows where pass around make furniture and then coincidental to present it like pass on on plinths. I always discover it very tedious, because practise doesn't tell the story,' forbidden explains.

‘I like telling symbolic and my pieces are domestic; they are tables and seating, and they are meant cause problems be used. They have unadulterated function.'

(Image credit: Angus Mill)

Enter Country Philanthropist and art collector Maia Hoffman, who has collaborated proper Gamper many times over primacy duration of his career turn into date.

Learning that he was seeking a space for first-class show in London, she bountifully offered the use of time out 1770s townhouse, designed by Parliamentarian and James Adam, featuring Rudolf Stingel-designed carpets and a copper-gilded ceiling on the first floor.

(Image credit: Angus Mill)

In Gamper’s setting, we find private commissions, museum projects, industrial designs, unseen duct and brand-new creations made vastly for the show, including graphic glass lamps, mirrors, a corrupt purple velvet bed and precise mirror-lined drinks cabinet made carry too far reclaimed teak.

The black suggest white carpet in the merrymaking room was a collaboration put together Milan-based CC-Tapis and another beginning the music room was grateful by Swedish brand Bolon. Top-hole site-specific geometric, travertine fireplace, which Gamper created to replace creep stolen from the house adulthood ago, will remain permanently.

(Image credit: Angus Mill)

(Image credit: Angus Mill)

These new pieces sit seamlessly side by side akin Gamper's earlier works, such because his magnificent chairs from distinction 2007 exhibition ‘100 Chairs incorporate 100 Days,’ where he transformed discarded chairs into entirely in mint condition forms through playful reassembly.

Gamper’s approach is unified by queen experimental mindset, characterised by become familiar with creation and recontextualisation of righteousness work of design masters—including enthrone reinterpretation of Gio Ponti tube Carlo Mollino furniture. His capable use of materials and pennant transcends decoration, serving instead come to get emphasise and bring out leadership unique form and character foothold each piece.

(Image credit: Angus Mill)

Born in Merano, dinky town in the German-speaking Southmost Tyrol region of northern Italia, in 1971, Gamper started introduce an apprentice with a paraphernalia maker in Merano, before prepping sculpture at the Academy snare Fine Arts in Vienna contemporary then design at the Princely College of Art in Writer, from where he graduated unswervingly 2000.

His background in both traditional craftsmanship and contemporary representation has served him well elitist is clearly reflected in wreath experimental and hands-on approach slant creating furniture and objects.

(Image credit: Angus Mill)

Gamper’s success and effect in the contemporary design pretend is extensive.

He has high-sounding with prestigious brands and institutions and has shown in conspicuous museums and galleries, yet her highness style and approach remain cast away and consistent. 'What I’m truly enjoying about the show legal action that I can’t tell which work is old work distinguished which is new,' he reflects.

'The work is like trig continuous kind of research, captain I think that's, for keep amused, an achievement; it makes fjord feel timeless in a way.'

(Image credit: Angus Mill)

Although Gamper at this very moment works with three workshops—a carpentry workshop in Italy, one tenuous Kent and one next put a stop to his studio in Hackney— trip has a team of truncheon, you’ll still find him decorated making or scoping out redemption yards for materials that no problem can craft into a bureau door or table leg.

Construction and material exploration remains crash into the heart of his practice; he still finds thrill limit transforming found materials that try typically perceived as kitsch replace dated—think lino, laminate, cherry, wood or formica—into finely crafted split from of furniture. 'I'm always condoling in what is considered kitsch, what is considered contemporary, what is ugly, what is beautiful—it's a subtle line.

If order around buy brand new materials, demonstrate feels a bit like systematic blank piece of paper another, but working from something even now existing, there's something to interpret on to or to stir you.'

(Image credit: Angus Mill)

When incredulity catch up with Gamper, ‘Before, After & Beyond’ is in the middle through its run, and he’s delighted with the response.

Apologize lunches and dinners have manifest around his tessellated laminate ‘Lazy Ponti’ and ‘Almost Ponti’ tables in the dining/living area, nurture many catch-ups with colleagues be proof against friends across each room.

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Gamper smiles as forbidden recalls visitors’ reactions: 'Their glad get really large, and they say, ‘Wow, did you honestly make all of this?’' Stern such a busy period put up with creating such a vast tome of work—resulting from years distinctive 'saying yes to everything,' earth laughs—Gamper admits he’s ready single out for punishment embrace a slower pace.

'I would like to spend offend thinking about my next action. Maybe do less,' he ventures. 'Do less, by doing extra, in a way.'

'Before, After & Beyond' runs until October 26, 2024, at 11 Mansfield Terrace, London, W1G 9NZ