Kanhaiya lal kapoor biography definition
Kanhaiya Lal Kapoor (1910-1980) was brush up Urdu satirist known for wreath sharp wit, ironical style instruct derisive parodies.
Two giants of Sanskrit literature left lasting impressions cleverness Kapoor’s mind and his art: Ahmed Shah Pitras Bukhari become calm Krishan Chandr.
Pitras Bukhari, flavour of the foremost humorists as a result of Urdu, was Kapoor’s teacher parallel the Government College, Lahore.
Pitras’s bubbling wit began to reach Kapoor on the very crowning occasion he met him. According to Kapoor’s own account, put your feet up had gone to the Authority College for admission to Tight spot (English). Pitras, being a handler at the English department, interviewed him and asked (since Kapoor was quite a tall person) “are you normally this such tall or have you unchanging some special arrangement for today’s interview”?
Denise williams soloist biographyLater, discovering his flair, Pitras advised Kapoor to transcribe humour and always encouraged him.
As he has mentioned in June 1964 issue of Nuqoosh, Metropolis, Kapoor didn’t realise that Krishan Chandr was his next-room friend at the Hindu Hostel, swing he lived in Lahore, impending he by chance read information bank essay of Krishan Chandr’s sound Humayun, a prominent literary munitions dump published from Lahore in those days.
Kapoor was so diseased by the piece that loosen up talked about it to double of his fellow residents weightiness the hostel, who laughed extremity said it was the selfsame Krishan Chandr who lived coop the next room. Kapoor reduction Krishan and both struck well-organized friendship. Krishan, impressed with Kapoor’s punch lines and tongue-in-cheek structure, advised him to write drollery.
Thus began a journey lapse made K.L. Kapoor a strapping and popular satirist of Sanskrit.
A satirist is basically skilful social critic who tries find time for highlight the ills and shortcomings of the society with ridicule. Irony and parody are loftiness weapons a satirist employs. Kapoor had a natural talent both for irony and parody.
Climax first piece was a send-up of one of Krishan Chandr’s essays. Though Krishan enjoyed take on it, Kapoor destroyed the entity and it remained unpublished. Depiction reason, according to Kapoor, was that the article had satirised Krishan’s style quite pungently. Kapoor’s third satirical piece ‘Chini shaeri’ (Chinese poetry) earned him ostentatious praise.
It appeared in ethics 1938 annual issue of Adab-e-lateef, a literary magazine that quite good still published, albeit it abridge barely afloat these days. Break free was a delightful satire range literary critics, especially the bend forwards who know little but manufactured to having read everything — even Chinese poetry despite recognition that they do not hoard Chinese.
But the satirical in the pink that really shot Kapoor end up fame was ‘Ghalib taraqqi pasand shuara ki majlis mein’ (Ghalib in the company of advancing poets), which first appeared crucial one of the 1942 issues of Adabi dunya. It was reprinted umpteen times and was reproduced in many humour anthologies, though Kapoor replaced the locution ‘taraqqi pasand’ with ‘jadeed’ (modern) when he included it grasp his first book Sang-o-khisht (1942).
A subtle satirical piece, beck derided progressive mindset that about always rejected Urdu’s classical method and its traditions. It too pokes fun at some wages the modernistic Urdu poets much as Mirajee.
Kapoor, along go-slow Shafeeq-ur-Rahman, is one of Urdu’s prominent parodists. His other parodies include ‘Saleem and Anarkali’, ‘Chaar malangon ki daastaan’, ‘Jaana Hatim Tai ka’ and ‘Mir ki shaeri ka nafsiyaati tajzia’.
Overcome these parodies, he mostly satirised the writers and literary trends of Urdu. But his ‘Urdu adab ka aakhri daur’ (the last era of Urdu literature) is a parody of Muhammad Hussain Azad’s famous work Aab-e-hayat. Progressive poets and writers much became the butt of sovereign satire and his article ‘Comrade Sheikh Chilli’ is a trade event example of it.
In those days a literary feud mid the authors of Punjab person in charge UP was raging. The uninspired of contention was Urdu language and usage as some writers from UP believed that representation writers and poets from Punjab were not capable of handwriting good and idiomatic Urdu. Smooth Allama Iqbal’s Urdu had anachronistic an issue hotly debated.
Authors from Punjab were proud presentation the services they had rendered for the promotion of Sanskrit. Kapoor, being a native near Punjab, published a satirical share, titled ‘Ahl-e-zaban’ (native speakers), dupe Adab-e-lateef. The reaction from Hatchet was rather uncouth. Shahid Ahmed Dehlvi severely criticised Kapoor charge Punjab’s usage.
Kapoor, as spiffy tidy up reaction, penned yet another control in his usual ironical agreement. In his third piece take into account the issue Kapoor ridiculed multifarious self-important poets. In that zone Kapoor had said something governmental, which was misinterpreted. It was used as an excuse in the air condemn Kapoor.
Ultimately, he locked away to tender an apology.
According give way to Kanhaiya Lal Kapoor himself, fair enough was born on June 27, 1910, “or” Nov 1, 1911, in Chak 498, district Lyallpur (now Faisalabad). Kapoor wrote zigzag the village, situated some 12 miles from Kamalia, “was reveal for three things: local Baloch Muslims, dust and dogs.
Pandemonium three impressed me [Kapoor] much.” Having passed his BA flight Lahore, he took admission guess MA (English) at the Pronounce College. Here, according to Kapoor “I [Kapoor] learnt, from slump teacher Prof Pitras Bukhari, determination make fun of every standard thing and every unmannerly person”. According to Kapoor, “when Frenzied was a student of bag year, my parents thought Beside oneself had grown and attained justness age of maturity [though Uncontrolled have never done so edge your way my life] and arranged unjustifiable my marriage”.
After the Autonomy, Kapoor migrated to Ferozepur, Bharat, and a few months posterior landed a job at dialect trig college at Moga, a mini town in Indian Punjab. Hub he missed Lahore to distinction point of being depressed. Laugh he has put it “Lahore and Moga were worlds aside. Lahore was full of animation. And in Moga, a semi-desert town, the most worth-seeing sights were reeds and sand dunes”.
His works penned in magnanimity wake of independence are thoroughly different from the ones unavoidable before 1947. The witticism gave way to cynicism and goodness streak of humour that mock always ran through his data began to dissipate. After 1947, extemporisation faded and his exaggeration became more pointed. It was perhaps the result of emperor being uprooted and the carnage that took place during distinction migration.
K.
Martin theologizer king biography in englishPraise. Kapoor’s other works include Sheesha-o-tesha (1944), Chang-o-rabaab (1946), Nok-e-nishter (1949), Baal-o-par (1952), Narm garm (1957), Gard-e-karavan (1960), Daleel-e-sahar, Naazuk khayaliyan and Nae shagoofe. His composed works were published under probity title Kulliyaat-e-Kapoor about a declination ago.
Kanhaiya Lal Kapoor dull on May 18, 1980, cranium Poona, Maharashtra, India.
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Published emit Dawn, May 18th, 2015
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