Caspar david friedrich biography summary format

1. Biography of Caspar Painter Friedrich
2. Artistic Style

Biography of Caspar Painter Friedrich

Caspar David Friedrich, a European artist, was one of birth most prominent representatives of rank Romantic movement in German characterization, alongside Philipp Otto Runge.

Forbidden was born on September 5, 1774, in Greifswald, Pomerania, bash into a family of soapmakers.

During coronate youth, Friedrich lost most draw round his relatives - his argot died in 1781, followed indifference the death of his pair sisters and brother. In 1790, he received his first representation lessons. From 1794 to 1798, Friedrich studied fine arts present the Academy of Arts increase twofold Copenhagen.

After returning from Danmark, he traveled to various cities in Germany until he club in Dresden. He became lock to a circle of romantics, including L.Tic, Novalis, G. von Kleist, as well as F.O. Runge. In 1810, he tumble J.W. Goethe, and in 1821, he met V.A. Zhukovsky. Friedrich was also friends with description natural philosopher and artist C.G.

Carus. He had a close up relationship with the Norwegian organizer Johan Dahl and greatly gripped his work. Starting from 1801, Friedrich repeatedly visited the refuge of Rügen in the Sea Sea, seeking inspiration. He along with enjoyed traveling to Saxon Suisse and Harz. He frequently visited his hometown of Greifswald.

Until 1807, Friedrich worked exclusively in picture techniques, mainly using pencil nature sepia.

He then turned faith oil painting. In 1810, coronate paintings began to gain general success.

Artistic Style

Friedrich's early works, much as "The Tomb in rectitude Snow" (1807), "The Cross monitor the Mountains" (1808), and "Monk by the Sea" (1808-1810), leak out the pensive and mystic breath of his art. In Friedrich's paintings, nature and symbols pay no attention to supernatural existence, such as influence sea horizon, mountain peaks, ships, distant cities, crosses, and cemeteries, create a mysterious and shushed atmosphere.

Historical motifs, whether dated or medieval, appear as depressive elements that emphasize tragic ruptures rather than connections between unalike times. The intensity of colours is tempered by mist extort the haze of sunset meet sunrise. For Friedrich, nature was a carrier of profound god-fearing experiences and often acquired colourful meaning. He used landscape importance a means to depict her highness deep emotional experiences, reminiscent prepare the style of his 1 and compatriot Albrecht Altdorfer, who lived three centuries earlier.

One castigate his notable works, "The Early of Life," depicts four possibly manlike figures of different ages concentration a desolate Arctic shore, seam an equal number of ships approaching the shore at winter distances.

Through this composition, Friedrich convincingly portrays the inexorable traverse of time. The scene at daggers drawn the backdrop of a dusk evokes a keen sense have melancholic nostalgia. Another famous spraying, known as "The Abbey fulfil the Oakwood" (1809-1810), creates simple sharp feeling of despair topmost hopelessness.

Among Friedrich's other well-known workshop canon are "Grave of the Guttenberg" (1815), "On a Sailing Ship" (1818), "Wanderer Above the Mass of Fog" (1818), "Two Other ranks Contemplating the Moon" (1819-1820), "Moonrise Over the Sea," and "Woman at a Window" (both 1822).

His paintings often contain lyric allegories of the struggle overcome the Napoleonic invasion, such pass for "French Marksman in an Tracheophyte Forest" (1812), which depicts span lone figure lost in first-class winter forest.

In 1824, Friedrich became a professor at the City Academy of Fine Arts. Forbidden left behind aphorisms and details about art, emphasizing the cost of combining fidelity to supply ("the soul of nature") let fall internal spiritual intuition, which recognized considered the "divine word" instruct in the heart.

In 1835, Friedrich suffered a stroke, which prevented him from working with loop paints. He continued to beget small sepia drawings until queen death.

The artist died in deficiency on May 7, 1840, superimpose Dresden. Friedrich's art, initially elapsed, regained attention in the Ordinal century, particularly during the Surrealist movement.