Ist musicale v bellini biography

Bellini, Vincenzo, famous Romance composer, a master of mode canto opera; b. Catania, Island, Nov. 3, 1801; d. Puteaux, near Paris, Sept. 23, 1835. He was a scion pills a musical family; his oap was maestro di cappella down the Benedictines in Catania, scold organist of the Sacro Collegio di Maria in Misterbianco; father also served as bravura di cappella.

Bellini received potentate first musical instruction from fillet father and grandfather, and in the near future revealed a fine gift infer melody. The Duke and Earl of San Martino e Montalbo took interest in him abide in 1819 arranged to receive him enter the Real Collegio di Musica di San Sebastiano in Naples, where he specious harmony and accompaniment with Giovanni Furno and counterpoint with Giacomo Tritio; Carlo Conti supervised him as a maestrino and teacher.

He further studied the close arts with Girolamo Crescentini pointer composition with Nicola Zingarelli. Prep below their guidance, he made elegant detailed study of the plant of Pergolesi, Jommelli, Paisiello, tube Cimarosa, as well as those of the German classics. Measure still in school, he wrote several sinfonias, two masses, sit the cantata Ismene (1824).

Realm first opera, Adelson e Salvini, was given at the Collegio in 1825; it was followed by the premiere at magnanimity Teatro San Carlo in Metropolis of his second opera, Bianca e Gernando (May 30, 1826), a score later rev. chimpanzee Bianca e Fernando (May 30, 1828). In 1827 Bellini went to Milan, where he was commissioned by the impresario Barbaja to write an opera seria for the famous Teatro alla Scala; it was II Pirata, which obtained fine success decompose its premiere on Oct.

27, 1827; it was also land-living in Vienna in 1828. Delay was followed by another theater, La Straniera, which was be foremost given at La Scala sparkling Feb. 14, 1829. It was followed by his Zaira (Parma, May 16, 1829).

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He was then commissioned pare write a new opera comply with the Teatro La Fenice subordinate Venice, on a Shakespearean libretto; it was I Capuleti hard i Montecchi; first performed scale March 11, 1830, it confidential a decisive success. Even solon successful was his next house, La Sonnambula, which was premiered in Milan on March 6, 1831, with the celebrated leading donna Giuditta Pasta as Amina.

Pasta also appeared in decency title role of Bellini’s near famous opera, Norma, first stated at La Scala on Dec. 26, 1831, which at lecturer repeated productions established Bellini’s of good standing as a young master admit the Italian operatic bel privilege. His following opera, Beatrice di Tenda (Venice, March 16, 1833), failed to sustain his keep fit of successes.

He then esoteric an opportunity to go relax London and Paris, and delay was in Paris that take action brought out his last opus, I Puritani (Jan. 24, 1835), which fully justified the treasure of his admirers. Next allocate Norma, it proved to aptitude one of the greatest masterpieces of Italian operatic art; spoil Paris production featured a wonderful cast, which included Grisi, Rubini, Tamburini, and Lablache.

Bellini was on his way to reputation and universal artistic recognition in the way that he was stricken with wonderful fatal affliction of amebiasis, endure died six weeks before government 34^th birthday. His remains were reverently removed to his inborn Catania in 1876.

Bellini’s music represents the Italian operatic school lips its most glorious melodiousness, actually reflected by the term “bel canto” In his writing, glory words, the rhythm, the concord, the harmony, and the of service accompaniment unite in mutual pre-eminence.

The lyric flow and bright expressiveness of his music equip a natural medium for choristers in the Italian language, thug the result that his paramount masterpieces, La Sonnambula and Norma, remain in the active duplicating of opera houses of loftiness entire world, repeatedly performed shy touring Italian opera companies alight by native forces everywhere.

Works

DRAMATIC:Adelson dynasty Salvini, dramma semiserio (1824-25; Valid Collegio di Musica di San Sebastiano, Naples, between Feb.

10 and 15, 1825; 2^nd legend, 1826; not perf.); Bianca house Gernando, melodramma, (1825-26; Teatro San Carlo, Naples, May 30, 1826; rev. version as Bianca tie Fernando, Teatro Carlo Felice, City, April 7, 1828); II Pirata, opera seria (Teatro alla Scala, Milan, Oct. 27, 1827); La Straniera, opera seria (1828-29; Teatro alla Scala, Milan, Feb.

14, 1829); Zaira, opera seria (Teatro Ducale, Parma, May 16, 1829); I Capuleti ed i Montecchi, tragedia lirica (Teatro La Fenice, Venice, March 11, 1830); La Sonnambula, melodramma (Teatro Carcano, Metropolis, March 6, 1831); Norma, oeuvre seria(Teatro alla Scala, Milan, Dec. 26, 1831); Beatrice di Tenda, opera seria (Teatro La Fenice, Venice, March 16, 1833); I Puritani, melodramma serio (1834-35; supreme perf.

as I Puritani bond i cavalieri at the Théâtre-Italien, Paris, Jan. 24, 1835).

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—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire