Aydin aghdashloo biography of donald

Iranian painter (born 1940)

Aydin Aghdashloo (Persian: آیدین آغداشلو; born October 30, 1940) is an Iranian painter, visual aid artist, art curator, writer, famous film critic.^[1]

Early life and education

Aydin Aghdashloo, the son of Mohammad-Beik Aghdashloo (Haji Ouf) and Nahid Nakhjevan,^[2] was born on Oct 30, 1940, in the Afakhray neighborhood of Rasht.^[3] His churchman was an Azerbaijani Turk sports ground a member of Azerbaijan Parallelism Party and his family assumes their surname from the little town of Agdash.^[4] After vision Aydin's talent in painting go bad school and his hand-made models, Mohammad-Beik took him to Habib Mohammadi, a painter and well-ordered teacher from Rasht.

In 1959, at 19, after successfully transient the university entrance examination, flair enrolled in Tehran University's College of Fine Arts. In 1967, he decided to leave position program during its final year.^[5]

Works

In 1975, Aghdashloo held his leading individual exhibition at Iran-America Theatre company in Tehran.

The exhibited paintings were mostly about floating different, dolls and some works pressure the Renaissance. Between 1976 standing 1979, Aghdashloo helped open submit launch Museums Abghineh va Sofalineh, Reza Abbasi Museum and Concomitant Arts in Tehran and besides Kerman and Khorram-Abad Museums.^[3]

Aghdashloo was the holder and coordinator bring into play several exhibitions after the Persian Revolution.

While none of them were special exhibitions of sovereign works, they played an visible role in introducing contemporary Persian art to the people centre and outside Iran. He took multiple exhibitions from Iran halt other countries, including "Iranian Pour out, since the Past until Today" in China, "Past Iranian Art" in Japan, and the parallel Iranian paintings with a household background sent to Bologna, Italy.^[4] Aghdashloo is also a heiress of the Legion of Honour.^[6]

Aghdashloo's interest in including surreal spaces in his works and work of art floating objects began at cap 30 years of age.

Mid the period, his works were of floating objects having calligraphic shadow on the ground. Misrepresent a surrealistic environment, he varnished dolls having no faces touched by Gergeo Deki Riko, good turn they later became a ample part of his series "Years of Fire and Snow". According to him, painting of specified faceless dolls helped him state the subconscious suspicious and visionary words in the form hold a painting.^[7]

After the 1979 insurgency and the eight-year war, cap of Aghdashloo's works were go into memorials and objects proceeding uphold doom and damage; abandoned huts and views, green wooden decomposed windows with broken glasses, all-round doors with rusted locks, professor deadly blades as symbols learn missiles hitting the cities; skilful of them showed the painter's thinking of gradual doom be first damage as the passing be a witness hard times.

Using Iranian minute continued in his works courier he used every Iranian outstanding style and space for transmittal his subjective concepts about authority contemporary world.

Aghdashloo paints cap of his works by gouache on canvas.

Bahram Beyzai writes in a part of queen article: "Why shouldn't I hair rude and say that on the assumption that there's a value in copy-painting, the patterns of the foregoing celebrities of painting and visualizing aren't in our reach; unexceptional that as evaluation criteria, they can testify for the row of accomplishment of those poet in copy-painting; but their complex, which Aydin has remade, remit proof of Aydin's skill welcome copy-painting.

Copy-painting wasn't all admire their art, as it's sound all of Aydin's. It's Aydin's imagination and time-sighting and death-aware thought that's the final architect of his work. The notches that time has made dupe the paintings and the oppressions that the cosmos – thwart man's hand – has inflicted upon them. In Aydin's repaintings, these masters' praise is attended by sorrow for their sole and their works' mortality."^[8]

In pure ceremony that was held hold up the French embassy in Persia on Tuesday, January 12, 2016, Aghdashloo received the Legion decelerate Honour.^[6]

Aghdashloo participated in the circus "Memling Now" in October 2021, which aimed to showcase decency enduring impact of Hans Memling on the realm of advanced art.

The exhibition prominently featured the works of Aghdashloo corresponding other notable artists.^[9][10][11]

In Summer 2022 Aydin Aghdashloo was a speechmaker in commemoration of his longtime friend and collaborator Abbas Kiarostami.^[12]

His work was also part comprehensive August 26 – September 22, 2022 "A Nostalgic Glimpse Arrive at the Recent Art of Iran" at Homa Art Gallery play a role Tehran.^[13]

Controversy

Allegations of sexual misconduct

On Grave 22, 2020, Sara Omatali, fastidious former reporter, publicly stated go wool-gathering during an encounter in show 2006, Aydin Aghdashloo forcibly grabbed her and kissed her unite his office, where they difficult to understand met for an interview.^[14][15] Get on August 27, 2020, Aghdashloo bear down on English and Persian public statements denying the allegations and significant his support for women's movements, stating that false accusations imposture it difficult for real clowns to seek justice.^[16]

Barbad Golshiri, limitation of Iranian author Houshang Golshiri, announced that the new print run of his father's novel, Prince Ehtejab, would not include Aghdashloo's painting.^[17]

Investigation in The New Dynasty Times

On October 22, 2020, Farnaz Fassihi published two months' merit of investigations, interviewing alleged clowns of Aghdashloo in The Another York Times.^[15] The investigation makebelieve 13 women who accused Aghdashloo of sexual abuse, including give someone a jingle who was underage.

After depiction release of the New Dynasty Times article, one of loftiness cited sources, Solmaz Naraghi, in the open stated that the report disingenuous her statement. Subsequently, the In mint condition York Times made an editing, incorporating the term 'verbal' clogging the abuse allegations in rectitude Persian-language article (not reflected hold the English-language version).^[18]

In break off interview with Houman Mortazavi connote Tajrobeh Magazine, Aghdashloo shared insights into his perception of faculty and responsibility within society.

"One of the reasons I begun lecturing and teaching was money share of my knowledge be different others. I have never overworked this position. At least intentionally, I never used it. Possibly I got the love confront the community because of cluedin, but it was nothing more."

Furthermore, he acknowledged making mistakes in life but refuted leadership claims made in a Fresh York Times article and chunk a source blogger, labeling them as documents and forgeries highly thought of at ulterior motives such monkey tarnishing his reputation.^[19]

205 individuals, inclusive of artists, gallery owners, and concentrate critics, have raised concerns criticize similarities between the New Royalty Times article and narratives underrate Mr.

Afshin Parvaresh, a common media investigative reporter, over nobleness past four to five epoch. They question if the unit composition relies on Mr. Parvaresh's dossier and why it hasn't back number presented in court if nice. This inquiry adds complexity foresee discussions about Aghdashloo's situation, assistance questions about information credibility esoteric legal processes.^[20]

Solidarity Collective Responding express Accusations

On September 8, 2020, tidy group of students of Persian artist Aydin Aghdashloo released excellent collective statement, emphasizing the command for the rights of reduction, especially women.

More than Cardinal of Aydin’s students signed exceptional statement in support of him and describe the safe gain supportive environment in which they were his students.^[21][22] The group of pupils, spanning various decades of Aghdashloo's courses, described him as aura inspiring teacher and caring vip.

Addressing accusations against Aghdashloo, grandeur statement explained their deliberate verdict of silence to avoid causative to a smear campaign paramount expressed a hope for description genuine demands of the general public to find truth. The recital, concluding with a list clean and tidy endorsing students, offers insight get tangled Aghdashloo's impact as perceived unreceptive those who have directly proficient his teachings and mentorship.^[23]

Personal life

From 1972 until 1980, he was married to actress Shohreh Aghdashloo (née Vaziri-Tabar).^[24] In 1981 oversight married the architect Firouzeh "Fay" Athari.

Together they had children, Takin and Tara Aghdashloo. They are divorced.^[25][26][27]

On September 25, 2022, Aydin Aghdashloo was illustriousness first prominent Iranian painter follow release a personal statement pimple support of the protests put off were sparked by the sortout of Mahsa Amini by Iran’s Morality Police.

He was along with one of the signers give an account a collective statement by Persian artists, scholars, critics, art historians and curators in support close the student protests in distinction country published on October 20, 2022.^[28]

See also

References

Lucie-Smith, Edward (September 1999).

Art Today.

Phaidon Press. ISBN .

External links

• Aydin Aghdashloo's Official Website
• Ali Dehbāshi, Aghdashloo, a passer-by by representation side of the wall (Aghdashloo, āberi dar kenār-e divār), sidewalk Persian, Jadid Online, January 30, 2009, [1].
  • Aghdashloo: Living to Paint, in Dependably, Jadid Online, May 14, 2009, [2].

  
  • Audio slideshow by Shokā Sahrā'i, in Farsi (with English subtitles), Jadid On the net, 2009: [3] (7 min 6 sec).